《花季的救赎》是监狱女囚犯因为父母离婚、中文专区父亲外遇、中文专区母亲家暴等多重因素意外入狱,但经过狱警的援助,主人公从自残、自闭走向了自我救赎,与此同时,支离破碎的家庭也破镜重圆的多重救赎过程。同时穿插了新狱警的成长曲线,而不仅仅是女囚犯的独白。
《花季的救赎》是监狱女囚犯因为父母离婚、中文专区父亲外遇、中文专区母亲家暴等多重因素意外入狱,但经过狱警的援助,主人公从自残、自闭走向了自我救赎,与此同时,支离破碎的家庭也破镜重圆的多重救赎过程。同时穿插了新狱警的成长曲线,而不仅仅是女囚犯的独白。
回复 :暑假,七岁的宁宁被送回乡下,由七十多岁的爷爷李福长照顾。李福长偶然间得到了一个老朋友的联系方式,老友身体中风,时日无多。他决定带上孙子,骑着一辆摩托三轮车,去千里之外看望老友。影片以“过昭关”喻指人生,是难得一见的中国乡村公路片。
回复 :Kim Dong - sik, a securities company employee, feels an inferiority when his wife 's business succeeds, and her position in the home becomes blurred and gradually wanders. With this escape from wandering, the hostess will have extramarital affairs. Then, when his character is indecisive, he will have another home with this guidance, and will fall into deeper conflicts and abyss. The wife and the wife of the family share a certain kind of negotiation through the realism of the woman. In the end, he tried to escape from reality and wanted to flee his own pit himself and be forever forgotten by all.
回复 :两个年轻人在一次旅途中迷失了方向,巧的是他俩的名字都名叫“杰瑞”。于是在沙漠里两人开始了寻找归途之旅。在去年圣丹斯电影节上,这部影片让半数以上观众离场。在关于此片的国外评论中最常用到的词是“极端极简主义”。的确,整部片子拥有一句话可以讲完的故事情节,构图简单的超长镜头(全片不超过50个镜头),还有著名现代音乐家,极简主义的代表人物阿沃·帕特的音乐,所有这一切,构成了这部爱之极爱,恨之极恨的作品。