剧情简介
猪农老王被合作社骗了钱，杰洛祸不单行，杰洛他的猪又莫名地死去，这打破了美容院老板娘王招娣、在大城市打拼的儿子王振、富家女夏夏、抱有“中国梦”的美国建筑师肖恩的生活，在永不放弃的挣扎中他们的生活最终找回了各自的平衡点。《海上浮城》是一部富含黑色喜剧元素的剧情片，以荒诞却真实的手法展现当代中国在现代化进程中老百姓的挣扎与拼搏，以超现实风格的结局给人提供一种逃离现实的感觉。
杰洛德·卡尔迈克：罗撒尼埃尔
猪农老王被合作社骗了钱，杰洛祸不单行，杰洛他的猪又莫名地死去，这打破了美容院老板娘王招娣、在大城市打拼的儿子王振、富家女夏夏、抱有“中国梦”的美国建筑师肖恩的生活，在永不放弃的挣扎中他们的生活最终找回了各自的平衡点。《海上浮城》是一部富含黑色喜剧元素的剧情片，以荒诞却真实的手法展现当代中国在现代化进程中老百姓的挣扎与拼搏，以超现实风格的结局给人提供一种逃离现实的感觉。
回复 :徐浩杰是一名电影演员，为了上位，杀死女友豆豆，攀上了制片人丁丽。 几年后，徐浩杰成为小有名气的影星，丁丽也成了他的未婚妻，但是徐浩杰对搭档刘雨欣心生好感。拍戏空暇，随刘雨欣、李丽、张峰三人到龙湖岛游玩。在荒无人烟的岛上，看到人骨坟墓等，令人恐怖。决定返回发现快艇漏油，手机没有信号，只能等 剧组前来接应。晚上露营后，张峰离奇死亡，李丽被吊死。刘雨欣和徐浩杰前去寻找，刘雨欣失踪，徐浩杰前女友豆豆化身的恶鬼前来，徐浩杰被迫承认杀人事实。 原来恶鬼是刘雨欣假扮，张峰和李丽都是装死做局。这一切都是为了揭露徐浩杰的丑陋本质，徐浩杰最终被警察带走。刘雨欣洗浴后，露出身上伤疤，她原来就是整形后的豆豆.
回复 :玛娜娜，一个50岁的家庭主妇，挣扎于一个两难困境中——她不得不在她的家庭生活和多年来难以自抑的写作热情之间作出选择。最终她决定跟随自己的热情，投入到写作中去，为此在精神与肉体上都做出了牺牲。
高阳
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
