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日常工作第一季

地区：日本

类型：二战

时间：2025-07-16 09:37:34

剧情简介

日常When six-year-old Sophie is tragically orphaned guardianship is assigned to her estranged aunt Annabelle. The two move into a large, eerie, Victorian house where Sophie unearths a locked wooden box with a strange symbol drawn on it. Desperate to connect with her niece Annabelle pries the lock open revealing a beautiful music box. Each time the music box is wound and replayed it's surprisingly chilling melody plays slightly longer, captivating Sophie even more. When the music box begins affecting Sophie's behavior and health Annabelle seeks the aid of a child psychologist and clairvoyant who soon discover the music box is possessed by an evil spirit who seeks to haunt Sophie and destroy Annabelle. As the haunting intensifies time begins to run out and Annabelle finds herself racing against the music box's melody to defeat the spirit before the last note plays.

8次播放

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明星主演

郑怡

刘欢

曾淑勤

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刘嘉玲

发表于4分钟前

回复 :西班牙知名B级片导演赫苏斯·佛朗哥（才华多到自己给自己编导的电影配乐，电影很有好莱坞范儿）执导，男主角是跟他多次合作（主要合作了博满洲系列）的克里斯托弗·李。另外，赫伯特·罗姆（汉默版《歌剧魅影》等）、克劳斯·金斯基（《诺斯费拉图》翻版）、玛丽亚·罗姆（赫苏斯·佛朗哥电影里的常客），杰克·泰勒这几位跟LEE常常搭档的演员们均有参演！电影的亮点除了布景，演员，就是剧本了。电影剧本很用心思，细节到细微词句变化，相信会是原著党最爱的版本。

南宝拉

发表于9分钟前

回复 :20世纪50年代那场战争，不仅让同一个民族分裂成两个对立的国家，也让东西方文化的交流出现隔阂与断层。在此后的岁月里，他们相互攻讦、诋毁，却从未想过在这片多灾多难的半岛上实现真正的繁荣与和平。时间到了2007年，一切似乎发生转机。久久封闭的朝鲜民主主义人民共和国向死对头美国伸出橄榄枝，邀请纽约爱乐乐团来平壤演出。这一举措在美国引起轰动，人们纷纷猜测朝鲜背后的动机，也对这次音乐文化传播之旅产生种种期待与焦虑。2008年的2月，爱乐乐团一行两百多人抵达平壤。固有的意识形态让两国人民仍不免误解与隔阂，但优美的旋律却能让一切不和谐荡然无存……©豆瓣

徐清原

发表于5分钟前

回复 :Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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