剧情简介
影片真实取材湘西三邪——落花洞女，国产湘西腊尔寨每年必须向山神献祭一位妙龄少女，国产否则全村就会陷入诅咒，怪事频发…… 桂家的女儿桂彤不幸被魑魅选中，朗德和祁峰同时深爱着桂彤，新婚之夜他们能否成功解救心爱之人？村中诅咒又将如何破解？
国产人成
影片真实取材湘西三邪——落花洞女，国产湘西腊尔寨每年必须向山神献祭一位妙龄少女，国产否则全村就会陷入诅咒，怪事频发…… 桂家的女儿桂彤不幸被魑魅选中，朗德和祁峰同时深爱着桂彤，新婚之夜他们能否成功解救心爱之人？村中诅咒又将如何破解？
回复 :大学毕业前夕，那兰朵频频收到神秘邮件，从而得知远古时期猫王国关于上古神器——猫族圣器的传说。她无法抑制对神器的向往，决定要找到它。 于是，那兰朵邀约其他三位同学——高度近视的画家萧尘、舞者小艾以及摄影师阿劲一同前往一座名为“遗忘天堂”的废弃仓库完成各自的毕业作品。 极具神秘气息的仓库令四位大学艺术生惊喜不已，他们犹如置身天堂。然而，当小艾情不自禁在机床上表演了一段舞蹈，不可思议的惊变便接踵而至。 从昏迷中醒来的萧尘莫名其妙失去记忆，他不仅把小艾当成自己的女神并要将那兰朵和阿劲暴力驱逐出去！小艾
回复 :小唯是一名职业催眠师，但她也是直播间主播。她会透露各种病人在催眠时说的隐以此赚取大量金钱。小唯被病人举报，被吊销催眠师执照。失去职业便利的小唯无法再提供各种离奇谈资，直播间人气也如每况愈下。为了挽回人气，小唯想到一个绝妙的主意——催眠自己的男友，让其在直播间做各种奇怪表演。
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
