拉斐尔是一个拾荒男孩,亚洲他在垃圾山每天靠筛分垃圾为生。然而一个幸运而又不幸的一天将他的世界就此改变。这天他无意拾到了一个小钱包,亚洲一个充满谜团、线索并足以改变一切的钱包。然而不久,拉斐尔和他的朋友便遭到了腐败警方的追捕,三个男孩便与警方展开了斗智斗勇的追逐。渐渐地,他们逐渐发现这里面是一个关于一位死去的男人未完成的使命,三个拾荒男孩决心接手这份使命,他们将要独自面对危机四伏的世界......
拉斐尔是一个拾荒男孩,亚洲他在垃圾山每天靠筛分垃圾为生。然而一个幸运而又不幸的一天将他的世界就此改变。这天他无意拾到了一个小钱包,亚洲一个充满谜团、线索并足以改变一切的钱包。然而不久,拉斐尔和他的朋友便遭到了腐败警方的追捕,三个男孩便与警方展开了斗智斗勇的追逐。渐渐地,他们逐渐发现这里面是一个关于一位死去的男人未完成的使命,三个拾荒男孩决心接手这份使命,他们将要独自面对危机四伏的世界......
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
回复 :艾莉森·托尔曼和雷·圣蒂亚戈饰演一对夫妻,妻子很爱鲍伊,在2016年听到他的死讯,很伤心。而丈夫还想借此讲笑话,妻子怒了,称不能忍受对方长期的不合时宜、不顾自己心情的作风。此时,丈夫突然被吸进了空间裂缝,穿越到了24年后,见到了2040年的自己和妻子,在这个“怪异”的交错现实中,他逐渐更理解了爱、人情、生命……
回复 :本片根据真实故事改编,剧本一度登上好莱坞剧本黑名单,马克·迈尔斯([人力资本])执导。影片讲述一对恋人索罗门和简在筹备婚礼期间,索罗门查出罹患肝癌,两人为完成心愿,决定将婚礼提前,在善心捐助下,他们如愿完成婚礼,四个月后,索罗门离世。