1986年的5月16日,老师大衛和桃莉帶著強力炸彈闖進懷厄明州柯克維爾的一所小學,老师並挾持所有的老師及學生。數小時之後,炸彈被引爆了,但是莫名其妙的是,唯二的死者竟是大衛和桃莉。存活下來的小孩們回家告訴父母,因為當時有許多「白衣天使」教他們如何保護自己,關在教室裡的大家才得以存活下來…
1986年的5月16日,老师大衛和桃莉帶著強力炸彈闖進懷厄明州柯克維爾的一所小學,老师並挾持所有的老師及學生。數小時之後,炸彈被引爆了,但是莫名其妙的是,唯二的死者竟是大衛和桃莉。存活下來的小孩們回家告訴父母,因為當時有許多「白衣天使」教他們如何保護自己,關在教室裡的大家才得以存活下來…
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :钟家和祝家世代为仇。一年前,重病在身的祝七爷临死前派人将纪家灭门,所幸钟家少爷钟良大难不死,但一颗子弹却留在了他的头中,并且不断擦去他的记忆。祝七爷随后病死,祝家从此也只留下一女,名为祝岚。为了在彻底丧失记忆之前完成复仇,钟良找到了自己曾经的恋人戴琴,给她一笔重金请她协助自己的复仇计划。然而就在钟良揣着手枪一步步走向一无所知的祝岚时,却被一辆飞驰而过的汽车撞伤,戴琴还没有赶到,钟良被人送去了医院,两人就这样错失。钟良在医院中醒了过来,身体虽然无碍,却失去了所有记忆。由于半张写着祝岚居住地址的照片将钟良引向祝岚。因此,钟良阴差阳错地和自己的仇人祝岚走到了一起,原本要置对方以死地的他张开了并不宽厚的臂膀,成了祝岚的保护者。但由于戴琴急于找到钟良并和他一起报仇,造成戏班台柱金宝宝的意外惨死。两人来到了祝岚从小长大的乡下生活,尽管拮据清苦,却相亲相爱。不久之后,两人订下了婚约。但是戴琴的复仇行动却还在继续,为了得到自己深爱的人,她更要除掉祝岚。由于另一半照片的出现,唤起了钟良的记忆,可此时的他深爱祝岚已无法对她下手,他选择结束生命来化解这段仇恨,却被戴琴所救。伤愈的钟良再次失忆,由于多日的相处,最终与戴琴成婚。而此时祝岚遍寻华尔兹(钟良),却得知深爱的人原来是仇人且已有了娇妻。心灰意冷的祝岚回到戏班唱歌,并且大红大紫,成为歌星。戴琴怕终有一日会失去钟良,便告知祝岚是他的仇人的真相。当钟良举枪要杀祝岚之时却意外恢复记忆,最终,为救祝岚,戴琴与钟良同归于尽。而祝岚也怀上了钟良的孩子,幸福度日。自此,一段纠葛纷扰的仇怨烟消云散。
回复 :项羽和刘邦,两个反对秦暴政的起义领袖,为自由与安乐一路厮杀,同时也在向那王朝核心秦王宫步步逼近。刚烈而冲动的霸王项羽在“鸿门宴”上错失了杀掉刘邦的机会,与深爱的女人虞姬含泪诀别。