剧情简介
讲述工作狂艾丽(布里)在回家乡的路上与前男友肖恩(埃利斯饰)度过了一晚，午夜追忆往事，午夜她开始质疑自己所做的选择和现在成为的人。当她遇到卡西迪(克莱门斯)后，事情变得更加混乱，这个年轻女人让她想起了过去的自己。
午夜精品久久久久久福利电影
讲述工作狂艾丽(布里)在回家乡的路上与前男友肖恩(埃利斯饰)度过了一晚，午夜追忆往事，午夜她开始质疑自己所做的选择和现在成为的人。当她遇到卡西迪(克莱门斯)后，事情变得更加混乱，这个年轻女人让她想起了过去的自己。
张梅
回复 :A man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
回复 :尽管与丈夫关系冷淡，但Kaja表面上依旧是一位随和、乐观的家庭主妇。当新邻居Sigve和Elisabeth夫妇搬来之后，他们高尚的生活让Kaja感到无比向往。这对美丽、教养很好的夫妇领养了一位黑人男孩，还利用业余时间在唱诗班演唱。Kaja、Sigve意外地开始了一段婚外恋情，就当两人水乳交融的时刻，一桩桩秘密与真相被揭开。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
