威尼斯电影节参展电影,亚洲来自法国鬼才导演昆汀·杜飞的作品。电影描述一位导演寻找奥斯卡级别的“呻吟”的故事,亚洲真实与虚幻的交织,画面场景的轮回,真正的“烧脑电影”。
威尼斯电影节参展电影,亚洲来自法国鬼才导演昆汀·杜飞的作品。电影描述一位导演寻找奥斯卡级别的“呻吟”的故事,亚洲真实与虚幻的交织,画面场景的轮回,真正的“烧脑电影”。
回复 :In the Korean Classic Horror Movie, A Public Cemetery of Wolha 1967, the tombstone of the kisaeng (Korean geisha) Wol-ha, who dies under a false accusation, is found! Set in the 1930s when Korea was under Japanese rule, a story was told about a girl, Wolhyang. She goes from a student to a kisaeng (Korean geisha) to a wife of a bourgeois man and is finally killed under a false accusation. This is a well-known story in Korea from the Korean classic horror movie, A Public Cemetery of Wolha. The movie, Wol-ha 2017, starts with a setting, where the tombstone of Wol-ha is found by an international collector and the whole process of finding the tomb of Kisaeng Wolhyang is recorded by video. The footages are fully of the mysterious and the grotesque...!
回复 :A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.
回复 :人在垂死之时究竟可以看到什么?是恐怖,还是惊喜?影片以一个复仇的故事慢慢展开,而主人公垂死的那一刻揭开了整个故事的谜底。