华灯初上的夜晚，重生哥谭市正在举行盛大的年度人物颁奖晚会，重生野心勃勃的总统候选人莱克斯·卢瑟（Clancy Brown 配音）输给风流倜傥的布鲁斯·韦恩（Troy Baker 配音），心有不甘。正在掌声雷动的时刻，小丑（Christopher Corey Smith 配音）带领爪牙大闹典礼，洗劫钱财。关键时刻，蝙蝠侠（Troy Baker 配音）和罗宾（Charlie Schlatter 配音）及时赶到，将这伙盗贼绳之于法，送入牢房。而莱克斯为了除掉绊脚石蝙蝠侠和超人（Travis Willingham 配音），秘密研制新式武器，放跑了大牢中的小丑一伙。在此之后，小丑等人在各地展开一连串的破坏行动，正义的战士一次次勇敢迎战。莱克斯与超人之间的战争全面拉开序幕……
回复 :《77年航空港》是由JerryJameson执导，杰克·莱蒙、李·格兰特等人主演。本片讲述的是运有宝贵古董油画的飞机被劫持，在副驾驶员和其同党的策划下，恶人们企图控制飞机，然而这群暴徒也并不走运，正当他们用特殊气体使乘客相继昏迷，并把飞机开往荒岛时，飞机却因撞击而坠入海中，机长克服重重困难，冒着生命危险发出求救信号，眼看情况危急，乘客生命危在旦夕，机长能否拯救乘客，并打败匪徒呢？
小宇
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :故事发生在二战时期的柏林，不过与人们通常的印象不同，电脑、网络、迪厅、摇滚乐、液晶电视充斥其中，德国军人摘下古板的面具，转而纵情声色，甚至连希特勒（Mikhail Krylov 饰）都变成一个脱线搞笑的小丑。化名舒拉伯格的亚历山大•阿谢奇金（Pavel Derevyanko 饰）是一名成功打入纳粹党卫军情报部门的苏联间谍。他夜晚住在柏林郊区的豪华公寓中，与一众大波美女锻练枪法；白天则周旋于希特勒和纳粹高官之间，时刻准备窃取纳粹的重要情报。随着战况日渐激烈，双方的情报战到了关键时刻。苏联方面派来美丽的女间谍金娜（Anna Semenovich 饰）协助舒拉的工作。各种搞笑的事情接连发生……
