一直以来，上原视频汤姆（迈克尔·道格拉斯 Michael Douglas 饰）都勤勤恳恳的在岗位上工作着，上原视频他的目的没有别的，就是希望能够升职成为副总裁。就在汤姆的目标就要达成之时，凭空杀出的美女美迪（黛咪·摩尔 Demi Moore 饰）让他的梦想成为了泡影，这个女人不仅夺走了副总裁的职位，还成为了汤姆的上司。然而，更让汤姆感到尴尬的是，这个美迪不是别人，正是自己的旧情人。美迪似乎对汤姆旧情难忘，否则也不会把他叫到办公室里对他动手动脚，没想到，这一桃色事件传到老板的耳中却完全变了模样，心怀不轨的美迪竟然状告汤姆对她进行性骚扰。汤姆识破了美迪的阴谋，为了保全自己的清白和工作，他必须和这个“女魔头”抗争到底。
指人儿
回复 :洪兴老大程雪武功高强，做事心狠手辣，在江湖上结下不少仇家。东升飞被程雪爸爸赶去菲律宾多年，因为混的不好回到香港，为了跟洪兴争夺地盘几次找程雪麻烦。程雪的弟弟阿飞在法国留学多年回来，应聘到服装公司工作，东升兴处心积虑对付程雪，最终出卖程雪的人，竟是他的心腹。
回复 :二十世纪七十年代，年轻的苏格兰医生尼古拉斯•哥瑞肯（James McAvoy 詹姆斯•麦艾维 饰）踌躇满志，怀着为穷苦人民救死扶伤的伟大理想来到了贫困的乌干达。在此他结识了医学会的白人同事，美丽的莎拉（Gillian Anderson 吉莉•安德森 饰），深深为之所吸引 。某次集会上，尼古拉斯得以见到乌干达总统安迪•阿明（Forest Whitaker 福里斯特•惠特克 饰），阿明的言论使尼古拉斯甚为着迷，甚至狂热崇拜。集会之后，他救助了因事故受伤的阿明，并因其苏格兰人身份受到赏识。之后更以总统御用医生的身份走近这位残暴君主……影片改编自Giles Foden的同名小说，男主角福里斯特•惠特克凭借此片获得第79届奥斯卡奖最佳男主角奖。
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
