李坤曾是优秀散打运动员，地狱因殴打尿检员被终身禁赛，地狱自此一蹶不振，靠做人肉沙袋度曰，与妻子关系亦降至冰点，将到离婚边缘。怡在此时，妻、女驾车于深山发生意外，妻子重伤不醒，女儿神秘失踪。颓废的李坤打起精神，入深山寻找女儿。 进山后，李坤被张野率领的科考小队误擒，方知林中存在神秘生物野人，而女儿的失踪很可能与野人有直接关系，于是向张野寻求帮助。一行人达成同盟，却各怀鬼胎，终于合力抓住 野人，此时善良的女研究员发现张野居心不良，想将野人贩卖谋利，与此同时，张野的魔爪也伸向失去价值的他们。李坤等人合力救出野人，与张野斗智斗勇，最终救出女儿，并将犯罪分子绳之以法。 经此一役，李坤终于明白生命中最重要的永远是家人。
龙梅子
回复 :影片以悲壮的笔触，描述了30年代时期，不丹国卡尔城金将军与日军勾结，在城里生产毒气，中国派遣特务“天字第一号”和现代镖局负责接出城主尤达。女镖师阿琼在爱慕尤达的金将军女儿芊芊帮助下，意欲和尤达一起逃走，但“天字第一号”力主要破坏毒气计划，结果被抓。金将军为救爱女，反过来帮助他们，与日军开始一场大战。
回复 :Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
回复 :火车司机安得利亚出于自已的性格问题，和他的家人闹翻而使家人弃他而去。同时由于他在事业上的失意和与同事之间的误解使得他非常失意，于是他到处流浪，过着靡烂的生活。后来妻子儿女都回到家里，还有他的同事也都原谅了他并与他一同过了一个热闹的圣诞节。当同事们走后，他走进房里，弹起了吉他，脸上露出幸福的表情。但因为以前的生活对他的身体产生了严重的影响，最后他安详的死去了。编剧兼主演的皮特洛杰米透过儿童纯稚的心灵，描述了家庭的悲欢离合及两代之间亲情的流露，是一部极有深度而且富于情感的文艺伦理巨片，主题曲也很受欢迎。
