广智
发表于8分钟前回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
黄雨田
发表于9分钟前回复 :美术大学五人组的故事仍在继续。竹本(神谷浩史 配音)结束了寻找自我的单车之旅,在盛放烟火的晚上对阿久(工藤晴香 配音)说出了那句“我喜欢你。”山田(高桥美佳子 配音)依旧陷在单恋真山(杉田智和 配音)的泥沼中,野宫(滨田贤二 配音)的出现成了泥沼里一株逃脱的稻草;真山则继续追寻着理花(大原沙耶香 配音),胜利的曙光在不远处;森田(上田佑司 配音)和阿久,两个天才的兮兮相惜,能否换来最后的相守。时间在四季轮回中流逝,微小的变化一点点积攒成为不可忽视的转折点。五人都面临着新的人生,各奔东西。已逝去的奇迹般的岁月,并不会消失,而成为永久的回忆,在内心转动。改编自同名漫画的《蜂蜜与四叶草》故事也走向终点,但对于他们,这则是新的起点。
朴树
发表于3分钟前回复 :Between February and October 1917, Imperial Russia, once deemed eternal, plunges into revolution. Nine months of popular and spontaneous revolt, fueled by the weariness of the Great War. Nine months of hopes, freedom and democratic aspirations, chronicled at that time by a journalist stationed in Petrograd, shedding a new light on this period. Nine months of unrest and uncertainties, before a coup brought about an upheaval that changed the course of History and profoundly altered the future of civilization.