病床上的我国家安全局某处处长郑煜接到上级命令，小视国际间谍组织派遣代号“夜莺”的间谍来本市与潜伏多年的间谍“老板”接头转运我神舟系列测控数据，小视要求擒获老板破获这个间谍网。从情报中得知，“老板”与“夜莺”将于晚七时整在榕树咖啡馆八号桌上准时交货，而“夜莺”就隐藏在来本地演出的“梦幻天使”乐队成员中。我安全人员对咖啡馆进行了严密的布控，但一个意外情况出现在郑煜眼前，十八年前随母亲出走的女儿郑雯雯现身在“梦幻天使”乐队成员中，现名苏曼卿，她会不会是“夜莺”呢？ 时间一点点临近，苏曼卿一步步走向咖啡馆，郑煜也陷入极度不安中。户外的演出被突降的大雨打断，“梦幻天使”的一群女孩子嘻嘻哈哈的冲进了咖啡馆，时针指向七点的那一刻，苏曼卿微笑着向咖啡馆的老板范阳说出了接头暗号，迅速交接了情报，这一刻也被我方迅速捕捉。郑煜再也支撑不住病体，晕了过去。郑煜虽认出了夜莺就是女儿雯...
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.
吴昊
回复 :非洲大草原上，千百年来始终上演不变的残酷舞蹈。由于人类的捕猎与开发土地，狮子数量锐减，生存空间始终在缩小，母狮马蒂陶一家的领地便受到迁徙狮群的挑战。在争夺领地的过程中，马蒂陶失去了她的公狮，不得不带着三只小狮子一路逃开寻找新的领地。横跨河流的过程中，一只小狮子丧生，马蒂陶和剩下两个孩子成功渡河到了一片名为“杜巴”的小岛。修整生息之后，岛上又迎来同样被迫迁徙的野牛群，马蒂陶慢慢掌握猎杀野牛的技巧，也持续躲避其他狮群的追击，还要面对鬣狗的争食。“单身妈妈”马蒂陶和她的幼崽是否是地球上最后的狮子的缩影呢？曾经的百兽之王如今生存得这样艰难。
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