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27岁的婚纱设计师助手金夏贷款买下一栋海边老宅，天天原以为幸福的有房生活就此开始，天天金夏却很快发现这里居然“闹鬼”！原来，古宅中还隐居着一位行为、能力皆状如鬼魅的少年。这位疑似“鬼”的少年没有记忆，无法离开古宅，又与金夏似乎有着千丝万缕的联系。为了找到彼此羁绊的缘由，二人展 开了一段脸红心跳的“金屋藏夫”同居生活。
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27岁的婚纱设计师助手金夏贷款买下一栋海边老宅，天天原以为幸福的有房生活就此开始，天天金夏却很快发现这里居然“闹鬼”！原来，古宅中还隐居着一位行为、能力皆状如鬼魅的少年。这位疑似“鬼”的少年没有记忆，无法离开古宅，又与金夏似乎有着千丝万缕的联系。为了找到彼此羁绊的缘由，二人展 开了一段脸红心跳的“金屋藏夫”同居生活。
八厘米天空
回复 :「到底什么是好人，什么是坏人，有标准答案吗？ 」这是由一场无差别杀人事件，延伸出的几个家庭间，不同立场、不同参与者的故事…….▪ 因孩子罹难濒临破碎的_受害者家庭▪ 儿子杀人于是避逃人群的_加害者家庭▪ 帮死刑犯辩护而受尽谴责的_法扶律师▪ 弟弟患病带给姐姐人生课题的_家庭这是一个，可能发生在「我们」每个人身边的故事。当事件发生，我们会选择如何面对？
回复 :The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.源自：https://iffr.com/en/iffr/2023/films/endless-borders
艾瑞莎弗兰克林
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