本片讲述身为大学生的男女主人公在一次聚会中偶然相遇,明亮在酒精麻醉下一夜温情后,明亮男女主人公如何直面人生,一集各自有关成长,如何面对双方父母,如何规划自己人生的思考和斗争,上演了一幕又一幕感人的爱情画面。
本片讲述身为大学生的男女主人公在一次聚会中偶然相遇,明亮在酒精麻醉下一夜温情后,明亮男女主人公如何直面人生,一集各自有关成长,如何面对双方父母,如何规划自己人生的思考和斗争,上演了一幕又一幕感人的爱情画面。
回复 :清朝末年,欧洲足球队海盗队来华时和驻华外国使馆联队进行了一场比赛。比赛引来了大批民众和朝廷官员观看,海盗队获胜后,队长哈里为博取女友詹尼一笑,竟然用力将球踢向围观的群众和朝廷官员。就在一众外国人哈哈大笑之时,人群中窜出一名大汉,他叫周天(张丰毅 饰),他以高强的球技回敬了哈里。詹尼见此教唆哈里向中方挑战,于是一场中外足球赛大战在即。原来周天是一位曾留学牛津大学并曾担任清朝翰林院编修的进步青年,他深知中、外足球水平的据,单凭一己之力很难为中国人出一口气。于是,周天踏上了访寻民间球侠、为国增光的道路。
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回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.