《魔力神童》是迪士尼70年代超能力神童系列的最後一部電影，日本人片故事主角依然是那位奇遇不斷的大學生 Dexter Riley 這次又有狀況了，日本人片他和他的夥伴們在實驗室意外之下將一種維他命麥片和化學藥劑混合，居然創造出神奇的功效，一開始他們把麥片給隔壁養的乳牛吃了，居然乳牛活力不斷，牛奶供應絡繹不絕。後來沒想到 Dexter Riley 居然自己也誤食了，而因此成為一位大力士，舉起數十磅的物體都是輕而易舉。學校的 Higgins 院長知道這消息，他以為是這種廠牌的麥片都有這神奇功效，為了讓校隊參加舉重比賽獲勝，他便和親戚所經營的這家麥片廠商達成交易，但是院長卻不知一切都是 Dexter Riley 所加的化學藥劑在發揮功效。另一方面，麥片廠商的另一家競爭者心存懷疑，便派出手下來暗中搞破壞，並刺探事情的真相。
刘界辉
回复 :丽莎（莱斯利·曼恩 Leslie Mann 饰）、米切尔（约翰·塞纳 John Cena 饰）和亨特（艾克·拜瑞豪兹 Ike Barinholtz 饰）本是八竿子打不到一起去的三人，却因为他们的孩子——朱莉（凯瑟琳·纽顿 Kathryn Newton 饰）、山姆（吉第安·艾朵 Gideon Adlon 饰）和凯拉（杰拉尔丁·维斯瓦纳森 Geraldine Viswanathan 饰）而被紧紧的联系到了一起。三个姑娘在学校里是最要好的朋友，即将面临毕业的三人秘密制定了一个计划，那就是在毕业舞会那天晚上破处。三名家长在一次偶然之中知晓了这个秘密，他们的内心里立刻响起了警钟，于是，三人决定联手阻止三个女孩愚蠢的计划，可是，这些大人们拟定的方案似乎也没有那么高明。
回复 :Follows Sara, head of the Toulouse police narcotics squad, who is forced to collaborate with Richard, the head of the local criminal police, to stop a go-fast between Spain and France and find the murderer linked to the case.
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
