小柯（夏雨 饰）和尚若（姚星彤 饰）是一对来自南方的小情侣，春暖他们为了各自心中的理想一同闯荡北京。小柯才华横溢，春暖梦想成为音乐人，然而在物欲横流的浮夸社会，他那蕴含深刻思想的作品不被各唱片公司接受，注定遭遇四处碰壁的命运，最终连生活都成问题。尚若在一所高校学习表演，偶然邂逅来自台湾的年轻摄影师广末（明道 饰），她独特的灵秀气质深深吸引住广末，二人的交往越来越深。苦无出头之日，小柯为了发表作品出卖自己的灵魂和爱情，他和尚若的感情逐渐走到崩溃的边缘。现实的巨大碾压和爱情的破灭让尚若投入广末的怀抱。在这行色匆匆的大都会，年轻人的心灵无处搁放……
回复 :Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving "wrong impressions in the minds of the public about the character of the story." It ultimately was released as Broken Lullaby.
回复 :故事讲述大学放假了，冷之炫邀请大家到山庄里玩。入住当晚，简丹看到一个，穿血色旗袍的女人，吓得晕了过去。次日，她向同学们提起此事，大家半信半疑。第二天晚上，简丹发现，同屋的林子樱不见了。冷之炫陪着她，发现一枚林子樱遗落的耳坠。强叔说肯定是那个女鬼回来报仇了。大家感到惊讶，害怕。林子樱醒后揭露调换口香糖的人。冷之炫只好承认是自己干的，好借机生米煮成生饭。简丹笑着说，世界上没有鬼，可是某些人心中有鬼，不惜用鬼来骗爱情，不是真爱。面对她的背影，冷之炫一脸无奈与悔恨。
回复 :Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
