赛巴斯提安和玛雅是非常不同的两个人。当玛雅的未婚夫在圣诞节和她提出分手,租借她接受了造访西部亲人的邀请。她在12月22号到达机场,租借发现赛巴斯提安也在飞机上。但命运还有更残酷安排的等着她。天气问题迫使所有航班取消。塞巴斯蒂安又有了一个计划租一辆车一起开到西部去。这次意想不到的事情发生了,他们爱上了彼此。因为和各自的亲人共度了圣诞,他们意识到彼此才是自己最想要的人。
赛巴斯提安和玛雅是非常不同的两个人。当玛雅的未婚夫在圣诞节和她提出分手,租借她接受了造访西部亲人的邀请。她在12月22号到达机场,租借发现赛巴斯提安也在飞机上。但命运还有更残酷安排的等着她。天气问题迫使所有航班取消。塞巴斯蒂安又有了一个计划租一辆车一起开到西部去。这次意想不到的事情发生了,他们爱上了彼此。因为和各自的亲人共度了圣诞,他们意识到彼此才是自己最想要的人。
回复 :军功卓著的海军副舰长鲁斯特中校(阿克谢·库玛尔饰)在执行为期半年的出海任务,临近尾声时按照司令部的指示提前返回孟买,惊讶地发现他那美丽绝伦的妻子辛西娅(伊莱亚娜·狄克鲁兹饰)竟然与好友维克拉姆(阿然·巴杰瓦饰)有染,怒火中烧的鲁斯特匆匆离家,回到军舰领取了一支手枪,来到维克拉姆家,随着三声枪响,维克拉姆倒在血泊之中。在检察官罗伯、维克拉姆的妹妹普瑞缇的眼中,本案证据确凿,已成铁案;在媒体人眼中,本案是炒作宝库,赚钱良机;在民众眼中,鲁斯特事出有因,维克拉姆死有余辜。在庭辩的唇枪舌剑中,无人料到其后竟然藏有涉及国家安全的重大内幕……
回复 :明朝万历年间,镇国之宝金龙剑不翼而飞。该宝剑剑气锋利,五步之内能令人一命呜呼。七百年来始终深藏宫中,从未出鞘,历代君王视同镇国玉玺珍藏。一旦宝剑出鞘,必将造成天下大乱。朝廷布下天罗地网搜寻宝剑的下落,查清宝剑为飞天貂狐刘天霸盗取,而刘天霸又被独行太岁所杀,夺走了宝剑。几经辗转,拿着宝剑的赤发魔君又被一位白发苍苍的老英雄杀害,而今老人和宝剑的下落不明,只知道在昆仑山脉一地。宝剑丢失的消息很快在江湖上传开,许多野心之徒试图夺得宝剑,称霸武林,为此不惜大开杀戒,拼命搏杀。与此同时,更有正义忠正只是竭尽全力保护武林和天下的太平,血雨腥风在所难免……
回复 :This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez