菲利普（布莱恩·科兰斯顿 Bryan Cranston 饰）是一位腰缠万贯的富翁，亚洲区在一场滑翔伞事故中，亚洲区他伤及了颈椎，导致全身瘫痪。如今，他隐居在自己豪华的别墅中，凭借着雄厚的资金过着离群索居的日子。在好友的建议下，菲利普决定招聘一名贴身助理来照顾自己的生活起居，在招聘启事发出去不久之后，一位名叫戴尔（凯文·哈特 Kevin Hart 饰）的年轻人出现在了他的面前。戴尔并不算一个底细非常干净的人，他因为无法向前妻付清赡养费而即将面临失去孩子探视权的糟糕状况。大大咧咧口吐芬芳的戴尔很快就吸引了菲利普的注意，尽管所有人都觉得这个年轻人不靠谱，但菲利普还是决定就是他了。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
回复 :一群体重过人的小胖墩被父母逼着，为减肥来到了夏令营。路上，两个偷窃了国家生物基地克隆晰蜴的罪犯阿乌、阿元躲到了夏令营的车上，一不留神把装晰蜴的包和胖墩装肉松的包混在一起。无奈之下阿乌、阿元以厨师身份混入夏令营，想偷回晰蜴。胖墩们在锻炼之余，发现了晰蜴，爱如珍宝。他们发现阿乌、阿元的企图之后，展开了一场斗智斗勇的斗争，将两个坏蛋整得苦不堪言，最终被公安人员抓获……
史逸欣
回复 :江湖大盗在行窃名贵花瓶的时候，无意发现了女主角留下的深情的书信。他被信中的真挚的感情所打动，便将书信发 进了自己的邮箱里仔细阅读。发现这一切的女主角通过电邮与江湖大盗继续保持联络，二人逐渐情投意合。当他们想走到一 起时，却遭到了大盗的幕后老板和女主角贪财好色的男友横加阻拦，他俩能否冲破谋害和危机终成眷属？
