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山姆?斯塔泽克和警校毕业生，资源毕业后与养父一样当上了警察。刚参加工作不久，资源就发生了一连串警察被杀事件，而凶手看上去都象是普通市民。尽管他非常痛恨这种冷血杀戮行为，却不愿意使用自己特殊的“才能”去阻止犯罪的发生。然而，当他的搭档被杀后，他不得不使用自己的“才能”了。通过对凶手尸体的解剖，他发现有人在做一种疯狂的外科手术，通过在人的耳鼓上刺微孔达到对人的控制目的，把他们变成杀手。现在，山姆必须争分夺秒挖出这个幕后人，不然就会有更多的警察遇害。
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山姆?斯塔泽克和警校毕业生，资源毕业后与养父一样当上了警察。刚参加工作不久，资源就发生了一连串警察被杀事件，而凶手看上去都象是普通市民。尽管他非常痛恨这种冷血杀戮行为，却不愿意使用自己特殊的“才能”去阻止犯罪的发生。然而，当他的搭档被杀后，他不得不使用自己的“才能”了。通过对凶手尸体的解剖，他发现有人在做一种疯狂的外科手术，通过在人的耳鼓上刺微孔达到对人的控制目的，把他们变成杀手。现在，山姆必须争分夺秒挖出这个幕后人，不然就会有更多的警察遇害。
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回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :A journalist becomes the unwanted center of attention for a 14-year-old girl whom proceeds to sabotage his life after he refuses her sexual advances.
