这是一部关于成长的电影。著名作家戈迪（理查德•德莱福斯 Richard Dreyfuss 饰）回忆起他12岁时的一次冒险活动：金刚当时，金刚年少的戈迪（威尔•惠顿 Wil Wheaton 饰）与他的三个小伙伴克里斯（瑞凡•菲尼克斯 River Phoenix 饰）、泰迪（科里•费尔德曼 Corey Feldman 饰）和维恩为了当一回“英雄”去河的对岸的森林里寻找一具12岁男孩的尸体。4个少年家庭各有问题，他们都有自己的心事。在旅程中每个人的性格都被体现得淋漓尽致：四个男孩性格中的软弱和坚强，在闪火车，翻铁门，越森林等一系列的行动中被最大限度的放大；每个人都有自己可望而不可及的梦想……1987年金球奖最佳电影、最佳导演提名，1987年奥斯卡奖最佳编剧提名
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :王三分的老婆马小莲出轨王三分的老板宋祖德闹得沸沸扬扬，因此王三分伙同徐和辱骂马小莲为马金莲。然而马小莲并不承认自己是马金莲，家庭矛盾一触即发。与此同时徐和爱上了邻居孟潞，并整天尾随其后，但又不敢大胆表白，于是找王三分帮忙，而此时的王三分正深陷家庭矛盾之中，一时难以自拔。某天，马小莲与宋祖德再次幽会时被王三分跟徐和抓了个正着，宋对自己的行为供认不讳，并主动答应赔偿10万元精神损失费与名誉损失费...
回复 : 在繁华之都纽约，有一间名为短巴士（Short Bus）的俱乐部，肆意享受人生的青年男女云集于此，体验着彼此身体所带给自己的莫大快感。索非娅（Sook-Yin Lee 饰）是一名亚裔性临床专家，虽然和丈夫罗伯（Raphael Barker 饰）的婚姻生活无比幸福，但是她从未达到过高潮，为此索非娅苦恼不已；詹姆斯（Paul Dawson 饰）与杰米（PJ DeBoy 饰）是一对同性恋人，平淡的生活让詹姆斯渴望新鲜和刺激，这时，偷窥他们的加勒伯（Peter Stickles 饰）介入进来……本片荣获2006年雅典国际电影节观众奖；2006年西班牙西洪（Gijón）国际电影节最佳艺术指导和最佳剧本奖；2007年独立精神奖最佳制片奖；2006年苏黎世电影节最佳影片奖。
