影片根据1993年同名射击游戏改编而成。2145年火星舰队总部接到从该地区传来的微弱求救信号，日本而在那里科学探测站正在进行着遗传密码破解的重要实验，日本一旦该地区失去控制，无疑将会造成整个人类的一场大劫难。特别行动队队长瑞博尔（卡尔·厄本 Karl Urban 饰）、士官长萨吉（道恩·强森 Dwayne Johnson 饰）带着六名队员迅速登陆以救援基地内的幸存者，可当他们进入基地时，发现实验室不仅一片狼藉，而且实验室里满是怪物。更可怕的是，这些行为怪异的生物并非来自外星，而是受到某种未知病毒感染后的人类！面对随时可能被感染的危险，萨吉必须和他的队员们利用手中的每一件武器，深入到实验室中心，找出真相，完成他们的使命。RRTSRTS惟一可以做的是把通往地球的通道用免疫隔离系统封锁，再背水一战，用尽身上每一件终极武器，将这班魔怪一一歼灭……
回复 :Locked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these "cyber suicides" are actually murders.
回复 :Danny Says is a documentary on the life and times of Danny Fields. Since 1966, Danny Fields has played a pivotal role in music and "culture" of the late 20th century: working for the Doors, Cream, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like the Stooges, the MC5 and the Ramones. Danny Says follows Fields from Phi Beta Kappa whiz-kid, to Harvard Law dropout, to the Warhol Silver Factory, to Director of Publicity at Elektra Records, to "punk pioneer" and beyond. Danny's taste and opinion, once deemed defiant and radical, has turned out to have been prescient. Danny Says is a story of marginal turning mainstream, avant garde turning prophetic, as Fields looks to the next generation.
回复 :In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?