父亲病危,太阳久未归家的王华军急赴襄阳。高铁上,太阳王华军做了一个梦,父子间水与火般的情感故事、冲动压抑的青春时光,一幕幕再现。送别父亲,陪母亲散心的日子里,王华军参加了一场同学聚会,阔别18年,同学们和整个城市发生的巨大变化,给王华军造成强烈的撞击。他产生了梦幻感,感觉自己像个外来的客人。他在这个熟悉的陌生城市里寻找,昔日热血激荡的兄弟,如今都臣服于生活;朝思暮想的校花李静,不知踪迹。恋恋不舍登上返回上海的列车,车窗外走来昔日的恋人李静。无奈车已启动,擦肩而过,一切都是命运的安排。
父亲病危,太阳久未归家的王华军急赴襄阳。高铁上,太阳王华军做了一个梦,父子间水与火般的情感故事、冲动压抑的青春时光,一幕幕再现。送别父亲,陪母亲散心的日子里,王华军参加了一场同学聚会,阔别18年,同学们和整个城市发生的巨大变化,给王华军造成强烈的撞击。他产生了梦幻感,感觉自己像个外来的客人。他在这个熟悉的陌生城市里寻找,昔日热血激荡的兄弟,如今都臣服于生活;朝思暮想的校花李静,不知踪迹。恋恋不舍登上返回上海的列车,车窗外走来昔日的恋人李静。无奈车已启动,擦肩而过,一切都是命运的安排。
回复 :勇达(曹承佑 饰)是一名游戏设计师,每天的工作就是面对着计算机,构筑恢弘而又惊险的游戏世界。勇达对自己的工作十分的热爱,几乎将全部身心都投入到了里面,这种专注替勇达吸引了很多的追求者,但在勇达眼中,她们仿佛不存在一般。莹芝(李奈映 饰)曾是一名游泳健将,如今在水族馆中担任着清理水族箱的工作,这份枯燥而又机械的工作让莹芝渐渐感到不耐烦。一次偶然中,莹芝在网上和勇达相遇了,勇达邀请莹芝试玩自己制作的游戏,虽然莹芝对游戏并不是很感兴趣,但勇达却吸引了她的注意,更巧的是,在现实里,两人在同一栋大厦里工作。
回复 :故事发生在古希腊的底比斯,俄狄浦斯王弑父娶母后,生了二个儿子——厄忒俄克勒斯和波吕涅刻斯,以及两个女儿——安提戈涅(艾琳·帕帕斯 Irene Papas 饰)和伊斯墨涅。波吕涅刻斯借岳父的兵力回国来和他的哥哥厄忒俄克勒斯争夺王位,结果两兄弟自相残杀而死。克瑞翁以舅父资格继承了王位,他为厄忒俄克勒斯举行了盛大的葬礼,宣布波吕涅刻斯为叛徒,不许人埋葬他的尸首。克瑞翁下令,谁埋葬波吕涅刻斯就处以死刑。安提戈涅遵循神律,尽了亲人必尽的义务,把她哥哥埋葬了,因此她被克瑞翁下令处死。随后,底比斯城的先知告诉克瑞翁,说他冒犯了诸神。克瑞翁赶去救安提戈涅,却发现她已死去。克瑞翁的儿子海蒙,是安提戈涅的未婚夫,他拔剑刺杀克瑞翁而后自杀。克瑞翁的妻子听说儿子已死,也跟着自杀。克瑞翁最后落得一个孤家寡人的悲剧下场。
回复 :Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background.In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.