影片藉由一场突如其来的“穿越”展开,情事现代人郑辉回到过去,情事遇见年轻时候的父亲。带着父亲修脚工身份的羞耻及现代社会浮躁的气息,让他对这个单纯朴实的年代有些“水土不服”。跨时代人之间的观念冲突也惹出了许多感动与笑料。郑辉和90年代父亲的慢时光之间相互连接,在参与了年轻时父母经历的种种后,让郑辉对于经历了时代变迁的普通人身上仍存的平凡而伟大的梦想有了更深层次的思考,开始走进父亲内心,真正去理解……
影片藉由一场突如其来的“穿越”展开,情事现代人郑辉回到过去,情事遇见年轻时候的父亲。带着父亲修脚工身份的羞耻及现代社会浮躁的气息,让他对这个单纯朴实的年代有些“水土不服”。跨时代人之间的观念冲突也惹出了许多感动与笑料。郑辉和90年代父亲的慢时光之间相互连接,在参与了年轻时父母经历的种种后,让郑辉对于经历了时代变迁的普通人身上仍存的平凡而伟大的梦想有了更深层次的思考,开始走进父亲内心,真正去理解……
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
回复 :家庭主妇凯特(安吉·迪金森 Angie Dickinson 饰)和丈夫的婚姻生活乏善可陈,儿子皮特又(凯西·戈登 Keith Gordon 饰)终日沉迷于自己的发明之中。对此她经常向艾略特(迈克尔·凯恩 Michael Caine 饰)求助,甚至想引诱这位高大英俊的心理医生。一日,凯特在美术馆里偶遇了一名男子,两人经过短暂的相互试探之后很快就干柴烈火起来。激情退却后的凯特想起了丈夫和儿子,觉得心有愧疚,正当她乘坐电梯准备离开时,被一名戴着墨镜的奇怪女子残忍的用剃刀杀死。妓女布雷克(南茜·艾伦 Nancy Allen 饰)目睹了这恐怖的一幕,作为目击证人的她反而被警方怀疑是杀人凶手。为了洗清嫌疑,她决定深入案件查询真相,在皮特的帮助下,她很快将嫌疑锁定在了一个叫做“巴克”的人身上,而这个“巴克”竟然也是艾略特的病人。这一切是阴谋还是巧合?在布雷克接近真相的同时,巨大的危险也渐渐的离她越来越近。
回复 :トリハダ〜夜ふかしのあなたにゾクッとする话を:1,「 気づいた时が恐怖のはじまり」2.「未知と知のはざまの葛藤」3.「爱もしくは憎悪に関する记录」4.「想像は人を支配する」5.「常に起こりえる监视のカタチ」6.「そこにある欲望と冲动の暗」7.「余命诊断」共7话收录。