名優・笠智衆が主演した成瀬巳喜男監督作品。正月興行らしい豪華キャストで、春暖家族制度における妻の立場を問う。家庭の中で唯一の他人ともいうべき長男の未亡人が、春暖義理の両親を理解するというラストに、小津の「東京物語」へのオマージュが感じられて微笑ましい。
名優・笠智衆が主演した成瀬巳喜男監督作品。正月興行らしい豪華キャストで、春暖家族制度における妻の立場を問う。家庭の中で唯一の他人ともいうべき長男の未亡人が、春暖義理の両親を理解するというラストに、小津の「東京物語」へのオマージュが感じられて微笑ましい。
回复 :一个在夜总会斗殴打架的女子,被送进了感化院。感化院里女人之间也有着各种各样的恩怨,她的未来将会怎样呢?
回复 :镇安城内的东洋车行恃著有土豪褚超作靠山,作恶横行。凌峰见东洋车行车夫崔豹欺负小孩,终忍无可忍,与之决斗。崔豹被打败,向褚超告状。褚超之子遂到凌峰家捣乱,凌峰将其打死。褚超派人四出追捕凌峰,又将其妻捉拿以之威胁…
回复 :ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.