剧情简介
世界存亡危在旦夕，相棒“信条”一词是唯一的线索与武器。主人公穿梭于全球各地，相棒开展特工活动，力求揭示“信条”之谜，并完成一项超越了真实时间的神秘任务。这项任务并非时间之旅，而是【时空逆转】。
相棒第13季
世界存亡危在旦夕，相棒“信条”一词是唯一的线索与武器。主人公穿梭于全球各地，相棒开展特工活动，力求揭示“信条”之谜，并完成一项超越了真实时间的神秘任务。这项任务并非时间之旅，而是【时空逆转】。
回复 : 故事发生在三峡工程建设时期。作为老实内向的大龄单身青年，三峡岸边某个航道信号工麦强（张献民）似乎对女人提不起兴趣，朋友热心将猎物送到他嘴边，他尝也不尝，但是别人不知的是，一个朝他微笑的女人常常会入他的梦。三峡边区另一处的某个旅馆里，服务员陈青（钟萍）因丈夫的过世，独自带着孩子过着无盼头的日子。两人偶然相遇后，麦强发现陈青就是他的梦中人，只不过在她脸上不见梦中的笑容。麦强不由自主地同陈青发生了关系，不料因此令他陷入一场麻烦，连带陈青也成了周围人口中的是非对象。在陈青的生活眼看要陷入更无期盼的境地时，麦强决定勇敢地承担起责任
回复 :1947年初，解放军华东部队在苏北七战七捷后，进行战略性转移，一营高营长（冯喆 饰）率领部队北撤，在山东桃村集结待命。不少战士和老乡都想不通，高营长和女村长赵玉敏（张瑞芳 饰）耐心给大家做工作。此时蒋军共出动25个师的兵力，企图造成南北夹击。我军在桃村大沙河阻击南线敌人六昼曰，主力部队集中到风凰山围歼北线的国民党李军长（阳华 饰）率领的七个师。高营长接到师长（陈戈 饰）命令抢占摩天岭高地，以阻击敌军张军长（项堃 饰）率领的增援部队，李军长率领的部队已被我军全歼并活捉李军长。高营长又率领部队乘胜追击张军长率领的部队，赵村长也带领游击队配合主力部队，切断敌人退路，又绞断敌人企图炸毁桥梁的炸药导火线，保住了大桥。一场大战开始了......
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
