剧情简介
一个来自费城的贵族男人，追杀两个居无定所的的赏金猎人，追杀看似毫无交集的两种人却因为命运的机缘巧合而相遇。在一座被称为“大杀特杀”的没落小镇，为了小镇居民重获安宁，三人与邪恶伪装的传教士展开了命运的交锋。
十字追杀令2
一个来自费城的贵族男人，追杀两个居无定所的的赏金猎人，追杀看似毫无交集的两种人却因为命运的机缘巧合而相遇。在一座被称为“大杀特杀”的没落小镇，为了小镇居民重获安宁，三人与邪恶伪装的传教士展开了命运的交锋。
太冲
回复 :该片由猎杀U-571导演强纳森莫斯托执导。内容描述战斗机飞行员爱德华葛登少校飞行技术高超，却对宗教有着过度的狂热，他一直相信自己是上帝派来的天使，身负毁灭世界的重大责任。在某次飞行模拟中，他差点将同撩的战机击落，遭到飞行教官麦特莱口头指责，因而怀恨在心，为了报复，葛登杀害父母与弟弟后，利用一次飞行训练机会，用文件签呈方式取得多枚飞弹与一核弹以及雷达干扰器等，然后将四架无武装备的战斗机击落；为了实现他的阴谋，他将战斗机里的核弹加以拼装改造，并飞行到人口密集的拉斯维加斯，展开其自己的神圣任务，不料，此时军方已接获情报，立即派遣由麦特领队的飞行队员前往拦截追捕，一场毁灭性空中大战随即展开
回复 :遥远的宇宙深处，随着氪星的毁灭，超人的传奇故事拉开序幕。氪星人乔·艾尔（罗素·克劳 Russell Crowe 饰）抵死反抗佐德将军（迈克尔·珊农 Michael Shannon 饰）的邪恶计划，冒险将刚出生不久的儿子卡尔·艾尔被送到银河系另一边的地球。卡尔降落在美国堪萨斯一座小镇，他幸运地成为乔纳森·肯特（凯文·科斯特纳 Kevin Costner 饰）和玛莎（黛安·莲恩 Diane Lane 饰）的养子，并且得名克拉克。克拉克从小显露出与众不同的能力与特征，但这些带给他惊讶的同时还有数不清的烦恼。通过养父的引导，克拉克（亨利·卡维尔 Henry Cavill 饰）慢慢弄清自己的身世以及所肩负的使命。终于有一天，遥远的故乡“同胞”莅临。站在故乡与地球、邪恶与正义的两端，超人即将面临重大的抉择……
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
