剧情简介
这部由三部分组成的系列纪录片揭示了双生火焰宇宙（一种所谓的网络爱情邪教）背后的黑暗真相。
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这部由三部分组成的系列纪录片揭示了双生火焰宇宙（一种所谓的网络爱情邪教）背后的黑暗真相。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :20世纪30年代，二次大战如火如荼。而萨利（Karl Markovics卡尔•马克维斯 饰）凭借一手高超的伪造技巧春风得意，佳肴美女信手拈来，好不自在。但是他的好日子并为持续多久，很快他便因为遭罪被逮捕，随后投入毛特豪森集中营。时德国纳粹图谋制造大量假币，以扰乱同盟国的经济。萨利的才能得到发掘，他成了这个秘密伪钞制造小组的头目，但良心却促使他选择了另一条路……本片根据阿道夫•博格（Adolf Burger）原著《魔鬼工厂》（The Devils Workshop），书中所述为作者亲身经历，影片荣获2008年奥斯卡最佳外语片奖和2007年德国电影金像奖最佳男配角奖（Devid Striesow）。
回复 :아내가 떠난 빈자리! 형부를 향한 처제들의 아찔한 유혹이 시작된다.병으로 떠난 아내와 사별을 하게 된 형부는 어린 두 처제를 돌보게 된다. 어렵고 힘든 시간이었지만 성실함과 책임감으로 남부럽지 않게 두 처제를 성인이 될 때 까지 키워왔다. 그런 믿음직한 형부의 모습에 반한 처제들. 이젠 어린 처제가 아닌 성숙한 여자가 된 처제들은 형부를 더 이상 형부가 아닌 남자로 생각하게 되고 각자의 매력으로 형부를 유혹하게 된다. 그러던 어느날 형부는 꿈속에서 처제들과 적나라한 섹스를 경험하게 되는데 그날 이후 형부도 더 이상 처제들이 어린 처제가 아닌 성숙한 여자로 의식하게 되면서 두 처제의 유혹에 점점 마음이 흔들리게 되는데.. 과연, 처제들의 형부에 대한 사랑은 이루어 질 수 ...
