剧情简介
全新航线，喉奥7大港口，停靠的不只是美食，还有我们对“家”的热爱。这一次，要带着你们，踏遍青山绿水，感受人间烟火值得。
喉奥视频
全新航线，喉奥7大港口，停靠的不只是美食，还有我们对“家”的热爱。这一次，要带着你们，踏遍青山绿水，感受人间烟火值得。
回复 :开始前往人气观光胜地里岛。主持人莉索里斯塔深入暸解峇里岛人如何结合酒店业与华的享受，寻找隐藏在乌布茂密丛林中的科莫香巴拉旅馆，还会在複合式餐马宾克和大陶一起做菜并深入峇里岛内部探案纯正的非洲式游猎。
钣机
回复 :《阿优之兔智来了2》的故事延续《阿优之神奇萝卜》系列，故事讲述的是阿U和他的小伙伴们看守的那颗巨大的超级萝卜有天突然变小了，博士怀疑是巨石阵的土壤含有某种只对大萝卜有作用的特殊物质，而现在这些物质已经受到了破坏，大萝卜得不到营养开始萎缩。博士推测萝卜岛周围的岛屿上一定还有同样的土壤，可以让大萝卜恢复原状。孩子们主动要求承担这个寻找土壤的任务，为了帮助大家，博士送来一只名叫兔智的机器人，它不仅智慧超群，还拥有各种能力，在保护萝卜的过程中发挥了重要作用。但是兔菲依旧不放弃自己的梦想，他带领手下跳跳和甩耳开着飞行器一路跟随阿U他们，发誓要得到超级萝卜。
东方神起
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
