丁娟去见男友李良,青花却发现李良死在屋里。东海市公安局发现伤口有细小的羽毛和茶杯上的指纹,青花以及笔记本上的字“阿三,我决不放过妮!”等细节。经调查,两个阿三斗与李良有过节,且案发晚上都去过李良家。老陈在林区查案的路上遭袭击后,侦察员钱凯、陈明辉发现这不是一般的刑事案,背景很复杂。老陈逐步查清案子,他的处境也更加危险。最后,老陈终于把真正的凶手汽车司机刘国强缉拿归案,并挖出了策划谋杀的后台——公安局长徐亦斌。
丁娟去见男友李良,青花却发现李良死在屋里。东海市公安局发现伤口有细小的羽毛和茶杯上的指纹,青花以及笔记本上的字“阿三,我决不放过妮!”等细节。经调查,两个阿三斗与李良有过节,且案发晚上都去过李良家。老陈在林区查案的路上遭袭击后,侦察员钱凯、陈明辉发现这不是一般的刑事案,背景很复杂。老陈逐步查清案子,他的处境也更加危险。最后,老陈终于把真正的凶手汽车司机刘国强缉拿归案,并挖出了策划谋杀的后台——公安局长徐亦斌。
回复 :在台北这个大都会中,有三组人马,分别面对了不同的问题,一组原本陌生,却因为彼此的配偶互相通奸,而协力去抓奸的男女,另一组则是要借精生子的一对女同性恋,第三组问题最大,一个女人得在丈夫没发现前,把死在自己床上的情夫的尸体处理掉. 无巧不巧,这三组人因为台北的交通难题,交会在一场车祸中,因而引发出匪疑所思的结局.
回复 :当一个人问另一个人“敢不敢”的时候,另一个人必须说“敢”,这就是游戏的规则。小男孩于连和小女孩苏菲的相遇即开始于这样一场孩童的闹剧,一个精美的铁盒子就是他们游戏的见证。说脏话,扰乱课堂,在校长室小便,内衣外穿……一个游戏两人一玩十多年,他们什么都敢,除了承认彼此相爱。苏菲(玛丽昂·歌迪亚 Marion Cotillard 饰)提议两人分别四年,挑战的内容是于连(吉约姆·卡内 Guillaume Canet 饰)敢不敢伤害苏菲。恍惚四年逝去,于连找到苏菲,为了游戏的进行他决定另娶她人,邀请苏菲做伴娘。受到伤害的苏菲在于连的婚礼上抛出铁盒子“你敢悔婚么?”原本最最亲密的朋友相互伤害最深。同样心痛的两个人相约再次分别十年。十年里,于连拥有了一切,家庭、事业、朋友,只是没了苏菲宛如没了心,原来丧失激情的生活这般索然无味。终于十年过去,“Love me, if you dare...”
回复 :In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.