艾莉丝认为自己有个完美的生活:玖草久爱一个理想的男友和光明的芭蕾舞前途。但这一切在她发现男友出轨后崩毁;她在舞台演出时意外受伤,玖草久爱被医生宣告需要暂停舞蹈生涯。坠落低谷的她开始身体和情感修复的旅程,离开巴黎到风景如画的布列塔尼,在那里她的朋友、一段新的恋情和当代舞的自由,让她与父亲重新修复关系,并找回自己。
艾莉丝认为自己有个完美的生活:玖草久爱一个理想的男友和光明的芭蕾舞前途。但这一切在她发现男友出轨后崩毁;她在舞台演出时意外受伤,玖草久爱被医生宣告需要暂停舞蹈生涯。坠落低谷的她开始身体和情感修复的旅程,离开巴黎到风景如画的布列塔尼,在那里她的朋友、一段新的恋情和当代舞的自由,让她与父亲重新修复关系,并找回自己。
回复 :朗贝尔是一位悔改的性瘾者,他试着改过自新而成了一名……婚姻顾问。禁欲了几个月之后,当他招聘了一位助手、诱人的朱迪特之后,情形又变得复杂起来,燃起的欲望很快就给他的决心带来了严峻的考验。
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
回复 :一个由四人组成的团队从总部派往维修一个通讯站,突然在一座山的山峰上遭遇了恐怖袭击。两个被征召的土耳其士兵,一个受过教育,富有的年轻人,另一个粗鲁的街头聪明的恶棍,不得不抛开他们的分歧,学会相互信任,以度过一个无情的局面。