费鑫（任达华 饰）和仇乐（霍建华 饰）接下一件案子……区鉴（张赫 饰）的妻子南方（热依扎 饰）生下本不该属于他的孩子，拒绝笃定被戴绿帽的他本想查清孩子来路，拒绝却遭杀手索命，惶惶度日发现一切都是妻子和奸夫的阴谋。蒙冤入狱5年的谢天佑（霍建华 饰）开始了对区鉴的报复行动，决定利用高智商犯罪夺回本该属于自己的一切。在费鑫查到区鉴与新进职员唐蝉关系微妙同时，南方发现一直为自己鸣不平的好友沈嘉美竟是区鉴前妻。与杀手的对抗，与妻子的周旋，与女职员的邂逅，与前妻的重逢，区鉴深陷危机。每个人的爱里都隐藏着不为人知的秘密……
余文乐
回复 :一名年轻的冲浪者从海滩的悬崖上意外摔下，受伤严重的他却要面临更艰巨的挑战——独自一人必须在茫茫无际的大海中生存下去...
克里斯蒂娜米莲
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
王秀琳
回复 :在第二次世界大战后的岁月里，洛杉矶的墨西哥裔美国人社区发展了低调文化。在加利福尼亚州通过了一项法律之后，司机通过液压改装将汽车车身低于其轮圈，具有调整底盘高度的能力。其绘画设计也非常具有个性，主要表现西班牙文化。影片就根据这一情况讲述了洛杉矶街头艺术家与其沉迷于跳跳车文化的家人之间所发生的故事。Danny（加布里埃尔·查瓦里亚 饰）是一名墨西哥街头艺术家，他与家人共同居住在东洛杉矶，Danny利用他的涂鸦技能，作画于跳跳车引擎罩，帮助他的兄弟参加即将到来的乐土公园跳跳车大赛。
