剧情简介
弗兰西斯卡从事一项特殊工作，极品专门帮助已婚女人考验丈夫是否忠诚。因为自身性感火辣，极品已婚男人屡屡跌入陷阱。弗兰西斯卡坚信男人百分百都是混蛋，因为她有一个不堪回首的往事——她痴爱的男友忽然变成别人的新郎。奇怪的是新目标与众不同，无论她使何种手段都不能使之心动。弗兰西斯卡坚持不懈制造各种偶遇，可她越来越感觉吃力，工作受到前所未有的阻力……而与此同时，她发现自己竟然悄悄爱上这位有趣的已婚男人。工作和个人情感的矛盾，她该如何化解？
AV—极品视觉盛宴无毒不卡
弗兰西斯卡从事一项特殊工作，极品专门帮助已婚女人考验丈夫是否忠诚。因为自身性感火辣，极品已婚男人屡屡跌入陷阱。弗兰西斯卡坚信男人百分百都是混蛋，因为她有一个不堪回首的往事——她痴爱的男友忽然变成别人的新郎。奇怪的是新目标与众不同，无论她使何种手段都不能使之心动。弗兰西斯卡坚持不懈制造各种偶遇，可她越来越感觉吃力，工作受到前所未有的阻力……而与此同时，她发现自己竟然悄悄爱上这位有趣的已婚男人。工作和个人情感的矛盾，她该如何化解？
回复 :本片是关于两位法国象征派大诗人魏尔伦和兰波的传记片，内容大多都建立在真实的历史记录基础上。1871年，17岁的诗人兰波（莱昂纳多·迪卡普里奥 Leonardo DiCaprio 饰）接受当时已是著名诗人魏尔兰（大卫·休里斯 David Thewlis 饰）的邀请，去往 巴黎。当时魏尔兰已经结婚，妻子家境富有。但他偏偏对这个恃才傲物，举止怪异，放浪不羁的兰波，着迷不已。他因此而抛下妻子，与兰波流浪到伦敦，同居在了一起，过着放纵不羁又贫困潦倒的生活。在疯狂的两年同居生活中，两人相互追逐，彼此伤害，纷争不断。1873年，在最后一次争执中，魏尔兰开枪打伤了兰波逮捕并被判入狱两年。之后兰波一人孤身返乡，四处漂泊，经历繁杂，甚至贩卖军火，最终37岁时病逝于马赛。
回复 :东庄农业生产合作社副社长鲁淮生从县里开会回来后，向社员提出：挖通老龙沟，把洼地变稻田。社员都表示赞成，但保守怕事的社长章明楼认为冬季应抓副业。挖老龙沟一旦达不到预想的目的，即费钱又费力。章明楼的计划得到了上级区委方政委的支持，鲁淮生的计划却被压了下来。偶然一次，鲁淮生发现章明和会计福顺到邻村套买肥猪以非法获得的事，并将此事反映到了方政委那里，方政委认定鲁淮生是个人英雄主义作怪，反命令他停职反省。但淮生没有放弃自己的信念，经过多方努力，淮生开垦老龙沟的计划终于得到了县委书记王政委的支持。全体社员都兴高采烈火地参加了老龙沟的挖掘工作。
太冲
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
