毕业季，小明四个名牌大学表演系的闺蜜各自憧憬着进入社会的生活。慧智（朴韩星 饰）整天花天酒地美容美甲，小明忽悠大家及时行乐，却无意中成了广告红人。柳敏（尹恩惠 饰）决定跟师兄男友分手，原因是后者的小气和小心眼，在慧智的介绍下，她认识了富二代，并且找到了一份电视台助理的工作，并偶然遇见了中学的粉丝，彼此倾吐对工作的感受。秀珍（车艺莲 饰）处心积虑想做演员，可惜在屡屡受挫，待业的她偷偷篡改了学历为了获得家教的职位。敏姬（刘仁娜 饰）懒得看父母冷战到离异的杯具，决定上补习班拯救烂的要命的英语，却没想到遇到了一个冤家学弟。四个姐妹，分别遭遇了人生之中新的抉择和挑战，当爱情、事业向友谊挑衅的时候，她们又会如何应对……
蔡汶家
回复 :1990年夏天，在智利，一小群家庭生活在安第斯山脉下面的一个孤立的社区，他们建立了一个远离城市过度行为的新世界，试图充分利用这个国家最近结束独裁统治后出现的自由。在这个变化和清算的时代，十几岁的索菲亚、卢卡斯和克莱拉与他们的父母、他们的初恋和他们的恐惧作斗争，他们为新年前夕准备一个大聚会。他们可能远离城市的危险，但不会远离自然。
李智秀
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
蝴蝶组合
回复 :霍莉与埃里克被他们的共同好友诺瓦克夫妇撮合，结果第一次约会就是灾难性的。不过两人好歹相识了，从此在任何有幸共同出席、互打照面的场合互相拆台，闹出不少笑话。天有不测风云，一场车祸夺去诺瓦克夫妇的性命，律师整理遗嘱发现，他们把尚在襁褓中的小女儿苏菲的监护权留给了霍莉和埃里克共同所有。一对冤家就这样聚头在同一屋檐下，共同担起奶爸奶妈的职责。最开始两人依旧互看不顺眼，吵吵闹闹是家常便饭，甚至拉来各自炮友搅乱空气，但在相处中，两人开始渐渐发现对方的好处和优点，在为小苏菲的各种事项忙得焦头烂额之时，更是发觉这个负担其实非常甜蜜……
