赌豪
地区:日本
  类型:喜剧
  时间:2025-08-04 12:38:05
剧情简介

数年前,赌豪佛山最大的银楼之一“尚银楼”面临经营危机,赌豪银楼当家大少爷尚铿(秦沛 饰)与妻子小蝶(薛家燕 饰)一起苦苦相劝二少爷尚鋆(伍卫国 饰)与沈家小姐结婚,好取得沈家的贷款。当时二少爷已经有了一个谈婚论嫁的恋人秀杏(伍咏薇 饰),但为了家族,也只好忍痛与沈家小姐结婚,婚后到了法国生活。奸诈的尚铿看中了秀杏的美色,与小蝶一起用计将秀杏骗来与自己成了亲。可怜秀杏一直以为当年是尚鋆行礼前远走高飞,自己为保名节才与尚铿行礼。秀杏嫁入尚家后,一直有丫鬟秋菊(杨思琦 饰)照料,深居简出、与世无争,即使面对霸道的二太太,也处处忍让。大太太小蝶其实所做一切都是为了顺从丈夫,她心地善良,所以也处处照顾秀杏,两人关系亲如姐妹。一日,二少爷尚鋆携家眷一起回到了尚家探亲,从此原本平静的尚家便激起许多波浪。二少爷长期受到民主、人权的思想渲染,和思想守旧、自私自利的大少爷处...

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明星主演
安又琪
庹宗康
颜福伟
最新评论(173+)

洁芮

发表于2分钟前

回复 :HBO Max及BBC Three已续订《搞上大明星》第二季。


张维良

发表于8分钟前

回复 :脚本家を目指すルイは海外に行っている映画監督の恋人アツシの帰りを待っている。スカイプ越しに会話を交わす2人は新しい生活への計画に胸を躍らせる。一方、メイコは精神疾患によって舞台俳優の活動を離れカフェで働いていた。そこへ急に兄のマコトがやってくるが…。人生の岐路に立つ女性2人が織りなすささやかな物語。


有耳非文

发表于6分钟前

回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.


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