1972年，高清观美军在越南溃败撤离柬埔寨之后，高清观纽约时报驻柬埔寨的战地记者辛尼（萨姆·沃特森 Sam Waterston饰）仍留在当地继续采访。柬埔寨人潘迪（吴汉润 Haing S. Ngor饰）是辛尼的当地翻译兼助手。辛尼在潘迪的帮助下，多次化险为夷逃过鬼门关。两人在战火纷飞中结下了深厚的友谊。1975年，红色高棉占领金边。辛尼得以全身而退，然而潘迪却因为没有护照而被捕，开始了生不如死的地狱生活。在柬共的劳动改造中，潘迪目睹了红色高棉政权的残暴血腥，受到了非人的待遇。1978年，越共入侵柬埔寨，潘迪趁机逃亡到泰国边境，与一直在寻找他的老朋友辛尼重逢。本片荣获1985年第57届奥斯卡金像奖最佳男配角、最佳摄影和最佳电影剪辑三项大奖。
回复 :It's been eight years since the opening night tragedy of Hell House, LLC and still many unanswered questions remain. Thanks to an anonymous tip, investigative journalist Jessica Fox is convinced that key evidence is hidden inside the abandoned Abaddon Hotel-evidence that will shed light on the hotel's mysteries. She assembles a team equally hungry for answers with one goal: break into the hotel and discover the truth.
王小恺
回复 :Chazz（布兰登·弗雷泽 饰）、Rex （史蒂夫·布西密 饰）和 Pip（亚当·桑德勒 饰） 组成了一个叫“Lone Rangers”的摇滚乐队，他们一天就想着出名。然而不幸的是发行商在听过他们的作品之后总是拒绝他们。为了让他们的音乐在电台播出，这几个家伙用假枪劫持了一家本地的摇滚乐电台。这下可惹来了大麻烦......本是一出闹剧最后会演变成什么样的结局？三个热爱摇滚乐的青年是否能够得偿所愿呢？
回复 :Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different...Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.
