小贼周吉祥和师傅偷了一件宝贝，伊人影院师傅因此而丧命。师傅临终前叮嘱她要保护好那件宝贝。不久，伊人影院周吉祥也被警察抓获，她把宝贝藏在破庙里的佛像下边，侥幸逃过警察的搜寻。周吉祥被判入狱两年，出狱后她第一件事就是去找回宝贝，可是到了那座破庙才发现，那里早已经变成了警察局。吉祥诚惶诚恐地进了警察局，想一探究竟，没想到这里只有三个警察加一个局长，吉祥阴差阳错地混进警局当了警察，她还惊喜地发现：宝贝还在原处。在警局里，吉祥和大家处成了朋友，并且喜欢上了警察孔有礼。那么，师傅让吉祥保护的东西到底是什么？日寇横行的年代里，这件宝贝还会经历什么波折？吉祥和孔有礼这对有情人能否终成眷属？
回复 :一名悬疑小说作家，刚被妻子抛弃，他想藉由法庭的审案过程获取灵感创作一部小说，不料却阴差阳错地认识了正以谋杀罪被起诉的保利纳，并迅速陷入了她的感情陷阱之中，自愿提供她不在谋杀现场的伪证，还邀她回家里居住，以便针对她进行新书的创作。在保利纳美丽的外表下，到底是不是一个包藏祸心的蛇蝎美人呢？
陈立靖
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
回复 :狐妖公主青风偷走了狐族灵戒来到人间，却遭天道反噬化为白狐，书生耿去病遇到白狐受伤，救助后将其放归山林。后来，耿去病因得罪权贵，被诬陷舞弊陷入人生低谷。青风为报恩情，隐瞒身份，一路默默帮助落难的耿去病，重新找到了人生的希望。青风狐妖的身份暴露，卷入赵王谋反的阴谋之中。生死危难之中两人以爱相守，击溃了赵王的阴谋，但两位有情人却不得不面对离别…
