莫兰和罗曼是两名银行职员,美人他们在人生的某个阶段对自己的日常工作产生了质疑。他们中的一个找到了解决办法,美人那就是犯罪。不知何故,他成功了,并将自己的命运托付给了他的搭档。这个决定将使他们的生活发生巨大的变化,以寻求更好的生活。
莫兰和罗曼是两名银行职员,美人他们在人生的某个阶段对自己的日常工作产生了质疑。他们中的一个找到了解决办法,美人那就是犯罪。不知何故,他成功了,并将自己的命运托付给了他的搭档。这个决定将使他们的生活发生巨大的变化,以寻求更好的生活。
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回复 :马卓生于雨城雅安,八岁被母亲林果果接到成都一起生活,和夏钢的儿子夏泽相伴成长,青梅竹马的二人成为了彼此的初恋。林果果和夏钢意外卷入一桩离奇的凶案,马卓和夏泽从此情感错位,命运曲折,在危险和荆棘中追寻父辈的真相。
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.