五个年轻人艾什（布鲁斯•坎贝尔 Bruce Campbell 饰）、菜菜雪莉（Ellen Sandweiss 埃伦•桑德维斯饰）等相约一起自驾游，菜菜他们预订了一座坐落于深山里房子作为野外落脚点，他们翻山越岭终于找到了这间小木屋。晚上，他们发现了这间屋子主人留下来的一本封面吓人的古怪的书和一部老式录音机。屋子主人在录音留言里说他在研究远古流传的丧礼和一些咒语，而那本古怪的书名字就叫“死亡之书”；根据书上说人死了其实只是保持睡眠状态，并没有真正死去，通过咒语可以重新活过来。接着录音机里就播放了一段令人毛骨悚然的咒文。随后，恐怖的事情开始陆续发生。
蔡蓝钦
回复 :As a medical team tries to understand 10-year-old Maya Kowalski's rare illness, they begin to question her parents. Suddenly, Maya is in state custody - despite a family desperate to bring their daughter home.
回复 :影片由资深记者尼克·比尔顿执导并制作，记录了将三名来自洛杉矶的“小透明”培养成网红的故事。这三名主角是充满抱负的女演员多米尼克，时装设计师克里斯以及房地产助理威利，他们原先在社交媒体上的“粉丝”并不多，但通过购买“假粉”和机器人来进行“互动”，这些新生的网红们，既沉浸地享受着“成名”，也承担着其中的代价。
火星人
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
