1920年，职业装视英国总督斯科特和他的妻子凯瑟琳访问阿迪拉巴德的一个部落，职业装视并强行带走了部落里歌唱天赋异禀的小女孩玛莉，部落的保护者比姆（小老虎 饰演）为了救回玛莉，伪装成穆斯林。斯科特得知消息后，总督府的底层卫兵拉朱（拉姆·查兰·特哈 饰演）为了升职也同时为了完成他父亲遗愿和他对部落承诺，主动请愿自己可以将比姆逮捕。比姆和拉朱因共同拯救了一个差点葬身火海的小男孩而巧遇，他们并不认识对方，然而两人也隐藏了自己的真实身份，相互联系，成为挚友。拉朱在一次调查中发现自己的挚友就是总督要逮捕的比姆，他一边是承载了父亲的遗愿和整个部落的承诺，一边是自己的挚友，他该如何抉择…..
回复 :An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.
回复 :影片讲述了自精绝古城回来后，Shirley杨带陈教授回美国治疗，却发现背上长出眼球状的红斑。胡八一与王胖子、大金牙前往陕西古蓝县进货遇到Shirley杨。四人进到一座幽灵冢险些葬于人面蜘蛛的果腹，出来后，胡八一和王胖子也长出红斑。Shirley杨拿着外公鹧鸪哨的笔记，发现黑水城的通天大佛寺中，很有可能藏有解开红斑诅咒的关键——雮尘珠。三人沿黄河继续进发，按照笔记指引进到寺内，在对抗黑玉邪神之时，发现一藏宝箱，里面究竟藏着雮尘珠，还是暗藏凶险？摸金小队又能否成功揭开鬼眼红斑的诅咒谜团呢？
回复 :Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.