《特警队》是华语内地警匪片中第一部完全以特警为主角的电影,恐龙影片以真实的特警精英队伍“蓝剑突击队”为人物原型,恐龙讲述了特警队员们对内在实战演练中互相博弈,置身训练场不断淬炼自我,场场来真的;对外无惧艰险,深入虎穴,齐心协力捣毁制毒基地、解救线人,共同守护城市安全的故事。
《特警队》是华语内地警匪片中第一部完全以特警为主角的电影,恐龙影片以真实的特警精英队伍“蓝剑突击队”为人物原型,恐龙讲述了特警队员们对内在实战演练中互相博弈,置身训练场不断淬炼自我,场场来真的;对外无惧艰险,深入虎穴,齐心协力捣毁制毒基地、解救线人,共同守护城市安全的故事。
回复 :改编自作家克莱夫·巴克同名小说,穿越时空纠结的三个故事进入未知和禁地的旅程。
回复 :女出租车司机帕蒂遇到了一个奇怪的乘客,他头被打破了还忘记了自己的身份。正当帕蒂想帮他找回记忆的时候,却突然发现他可能是一宗谋杀案的凶手,然而事情并没有想象中那么简单。。。
回复 :50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.