经营咖啡店的坏脾气老奶奶吴末顺（罗文姬 饰）自持有一个孝顺的教授儿子（成东日 饰）而处处霸道，热汤除了少年时期的老佣人朴老头（朴仁焕 饰）真心对她好，热汤朋友们都讨厌她，包括她的儿媳。一次儿媳住院，全家除了孙子智河（郑真英 饰）不同意，别人都觉得该送奶奶去老人院。末顺奶奶失落之 时想去照相馆拍张遗照，没想到这一拍竟然变成了年轻的模样。年轻的末顺改名吴斗丽（沈恩敬 饰），开始了新的生活，甚至重拾了年轻时的梦想——当歌手。斗丽特立独行却受到了大家的欢迎，甚至吸引了电视台导演（李真旭 饰）的倾慕，可是她的身份却面临着被揭穿的威胁，该留在20岁享受人生，还是重回正轨面对生活，末顺做出了艰难的抉择。
汤潮
回复 :繁华的国际大都会香港闹市中心，口若悬河的洪家宝（陈百祥 饰）带着傻乎乎的小弟麦交（邵国华 饰）公然行窃，结果路上遭遇妙龄女郎嘉嘉（张艾嘉 饰）举报。虽然两人百般抵赖，但在最后关头漏了马脚，被警察关进监狱。令洪、麦意想不到的是，嘉嘉居然是监狱的辅导官，所谓冤家路窄，洪家宝真是窝了一肚子火。二人所在的牢房狱霸横行，为了逃出对方魔爪，他们不惜羞辱监狱长官。经过一段时间牢狱之灾，二人和狱中认识的伙伴冠仁（胡大为 饰）出狱。谁知他们死性不改，骗吃骗喝再度锒铛入狱，这次又撞上了有着一副好皮囊、爱装警察的小混混荣仔（张国荣 饰）。洪家宝大骂荣仔，意想不到的是荣仔的老姐居然就是洪的仇敌嘉嘉……
回复 :讲述工作狂艾丽(布里)在回家乡的路上与前男友肖恩(埃利斯饰)度过了一晚，追忆往事，她开始质疑自己所做的选择和现在成为的人。当她遇到卡西迪(克莱门斯)后，事情变得更加混乱，这个年轻女人让她想起了过去的自己。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
