剧情简介
一辆旅游巴士将乘客们带到一处名为“性爱世界”的场所，日韩在那里，他们可以在周末实现最隐秘的欲望生活。
日韩高清在免费线视频下载
一辆旅游巴士将乘客们带到一处名为“性爱世界”的场所，日韩在那里，他们可以在周末实现最隐秘的欲望生活。
刘玉翠
回复 :上世纪90年代末东北爆发大规模下岗潮，女性失业尤为严重。很多女人听说当法国保姆能赚钱，便不惜背上巨债出国。到巴黎后发现求生无路，只好去“站街”。比利时导演奥利维耶偶然遇到她们，进行了长期调查，并找到王小帅任监制，以此拍摄出电影《下海》。
回复 :为了摆脱贫穷的生活，清冈球江（冈田嘉子 饰）抛弃了丈夫渥美俊荣（奈良真养 饰）和尚在襁褓中的女儿滋子，只身远赴好莱坞影视圈发展。在此后的岁月里，渥美投资渔业公司，生意越做越大，与此同时还迎娶温柔贤惠的真砂子（筑波雪子 饰）为妻。真砂子视滋子（小岛寿子 饰）若己出，滋子也深爱这个美丽的母亲，一家人的生活何其幸福。某天，功成名就的球将返回阔别已久的日本，此行的目的只有一个，那便是找回失却的女儿。就在此时，渥美的公司陷入财政危机，球江希望借机注资以得到女儿，却遭到前夫的拒绝。不久，公司倒闭，渥美一家的生活充满困顿。而两位母亲针对女儿的争夺也渐渐激烈……
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
