用詹姆斯·韦伯望远镜拍摄遥远星系,亚洲栩栩如生的照片令人浮想联翩。这部纪录片记录了这台望远镜从开发到推出的历史过程。
用詹姆斯·韦伯望远镜拍摄遥远星系,亚洲栩栩如生的照片令人浮想联翩。这部纪录片记录了这台望远镜从开发到推出的历史过程。
回复 :A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
回复 :故事根据民间传说“钟馗伏妖”故事改编。每逢千年便有日食天象,届时更是昆仑山灵力最弱,阴气最盛之时。此时,昆仑山魔井开启,魔能涌出,万妖出动。妖魔或附身于常人,夜间吸食人类阳气,被侵蚀的人们诡异而凶残;或化为人形捕食人类。恐怖灵异事件不断,你我之间难分人妖,人间如地狱般阴郁恐怖。终南山进士钟馗不惧邪祟,与师傅一起斩妖除魔,却发现在妖身后,还有更惊人、更令人恐惧、更令他难以抉择的真相在等待着他……
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.