陈翔是警队交通部精英“隐形车队”的新队员，太乙血气方刚、太乙嫉恶如仇的他驾驶伪装的警车，隐没在路上追缉目ddd。蒋薪是专帮劫匪驾车逃亡的“车手”，他凭借一手“8000转，2迈”的直角原地悬浮漂移技术独霸车坛，出道以来未曾失手。而将退休的警察卢峰性格怯懦保守，作为陈翔的警队拍档，两人一起执行任务常常以互掐告终。在多年前与蒋薪的一次交手中，卢留下很深的心理阴影。这次，蒋薪重出江湖犯案，陈翔追进窄巷险些车毁人亡。为救陈翔，卢峰重驾“隐形战车”再战悍匪。一场惊心动魄、生死时速的狂飙飞车大战一触即发。
游助
回复 :无数次的灾难与战争，让人类的数量锐减，似乎也因此使得宇宙变得更加宁静。而今人工智能机器人已在宇宙间占有绝对的统治地位，人类却只有两成左右。虽然科学极大进步，可惜人类无法突破寿命的百年限定，他们匆匆而来，默默而终，不知不觉走向灭亡。带有浓重昭和气息的宇宙飞船中，生活着编号为722的人形机器人铃木洋子（神乐坂惠 饰）。她与AI机器人相伴，永远奔波在漫长的宇宙旅途中。她的日常百无聊赖，洗衣服、缝扣子、剪指甲、打扫卫生，孤独与静寂永无止境。洋子是一名宇宙快递员，她所投递的货物却都是些看似无关紧要的小物件。每次投递需要花费数年时间，纵使瞬间旅行已成可能，不过她却似乎有什么理由消磨这漫长的时光。一颗孤独的星球上，仿佛被全宇宙所遗忘的人类，在破败的街道上等待着远方的造访……
回复 :初任上海警察队长的陈虎（释小龙 饰）接到一桩命案，死者何满君（白龙 饰）是上海政府军政部要员之子，也是圣马丁高中的一名学生。为了获得一手破案信息，陈虎不得不乔装学生混入学校。高中学习生活令不擅读书的陈虎苦不堪言，屡屡出糗沦为笑柄；与此同时他一边查案，一边与各方势力展开较量；何满君之死迷雾重重，一个又一个的嫌疑人出现又被排除，谋杀真相到底如何，真凶到底是谁？
高明骏
回复 :非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照：http://www.mitternachtskino.de/spiritsoftheair.htmLike a dream, some things can only be experienced to understandThis film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.
