剧情简介
日本影片讲述一个小和尚斗智斗勇捉妖的故事。
日本高清视频在线
日本影片讲述一个小和尚斗智斗勇捉妖的故事。
回复 :故事发生在平安夜当天，在浓厚的圣诞气氛下，所有人都暂时放下手中的工作，享受和家人们团聚的喜悦。乔治（米歇尔·布朗 Michel Blanc 饰）似乎是这座城市里唯一一个还在工作的急症医生了，他接到了紧急的求救电话，风尘仆仆的赶往患者家中。哪知道在半路上，一个冒冒失失的 送餐员马利克（Hakim Jemili 饰）骑脚踏车撞到了他，虽然没受什么伤，却引发了乔治的老毛病——坐骨神经痛。无奈之下，马利克只得接替了乔治的职务，成为了临时医生赶往病人家，而乔治则在原地通过电话来告诉他如何治病。这次远程操控之下的治疗能否顺利进行呢？
自然卷
回复 :波记大排档老板波叔（吴孟达 饰）同时也是太平坊一幢楼的房东，如今太平坊地盘开发，好多老邻居迫于压力搬走，波叔守着老房与租客，拒不出售老房。波叔的小舅舅大智（元彪 饰）从北京杂技团来港投奔波叔，要为自己打拼出美好前途。但波叔对后者花哨的做饭方式嗤之以鼻，认为是不务正业。另一方面，欲开发太平坊的林氏集团公子林枫（黎明 饰）不满意父亲惟利是图，愤而出走却被流氓打伤，林枫被波叔救回，得到街坊们的照顾帮助，并结识了波叔的女儿小爱（邵美琪 饰）。大智有机会赴国外发展但却遭波叔反对，二人不欢而散。林氏集团加紧了对太平坊的收购，这造成了小爱和林枫的隔阂……
胡兵
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
