爱莎的母性不是一种明显的本能，日本人妻而是一直处于一种持续挣扎的状态。她在很年轻的时候就成为了母亲，日本人妻这也深深地影响着她和处于青春期女儿的关系。尽管爱莎和17岁女儿维卡住在一起，但实际上她们很少与彼此互动。爱莎把大部分精力投入到她的护士工作之中，而维卡则常常与朋友们在溜冰公园溜达。随着维卡健康状况的迅速恶化，两人的日常生活被打乱。爱莎不得不走入维卡的生活，成为一个真正的母亲。维卡的病成了一个契机，让这个小家庭里的爱得以呈现。入围纽约翠贝卡电影节，荣获最佳女演员和最佳摄影奖。
杨宝森
回复 :A state-of the-art-concert-film featuring the extraordinary German band RAMMSTEIN. Directed by award winning director Jonas Åkerlund
回复 :都会のアパートで一緒に暮らしている二人の女性、美津と夏子。ひそかに美津を愛し始めた夏子は、美津を自分だけのものにしようと、彼女の恋人に近づき、子供を宿してしまう。美津は夏子のもとを去っていくが、夏子は彼女のあとを追い続ける……。微妙な心理ドラマを力強い演出で見せる佳作。
黄鸿升
回复 :Does the country have to compensate for a case against those socially weak?Sexual favors and harassment by the high class society, weak females of the society send them a warning.So-yeon is a college student who sues the government for not being able to protect the socially weak from sexual favors. She goes on national television to talk about this case. Hae-yeong is a broadcasting anchor who hosts the show and the panel starts to battle about the matter of sexual favors. Uncensored words go back and forth as the debate goes on and the initial topic of sexual favors turns into a talk about the basic laws that the government must live by and its problems as well as the duplicity of the higher social class. The debate turns into harsh words and pointing fingers while the director of the broadcasting station instigates them to do better for improved viewing percentage . So-yeon is alone in the hall after everyone’s left and she opens her mouth“There's no seduction I can't refuse...”
