大神직장 상사와의 ‘불쾌 통쾌’한 한 판 승부!직원들에게 폭풍 갑질을 일삼는 꼰대 of 꼰대 ‘김 회장’한편, 그의 수행기사 ‘창수’는 뒷좌석에서 쏟아지는‘김 회장’의 폭언에 하루하루 시달리는 이 시대의 ‘을’이다평소처럼 만취한 ‘김 회장’의 갑질 속에서 운전대를 잡는 ‘창수’하지만 점점 도가 넘는 행동에 오늘만큼은 더 이상 참을 수가 없는데...깊이 억누르고 있던 을의 분노가 폭발하기 시작한다!
大神직장 상사와의 ‘불쾌 통쾌’한 한 판 승부!직원들에게 폭풍 갑질을 일삼는 꼰대 of 꼰대 ‘김 회장’한편, 그의 수행기사 ‘창수’는 뒷좌석에서 쏟아지는‘김 회장’의 폭언에 하루하루 시달리는 이 시대의 ‘을’이다평소처럼 만취한 ‘김 회장’의 갑질 속에서 운전대를 잡는 ‘창수’하지만 점점 도가 넘는 행동에 오늘만큼은 더 이상 참을 수가 없는데...깊이 억누르고 있던 을의 분노가 폭발하기 시작한다!
回复 :查理(汤姆•汉克斯 Tom Hanks 饰)被美国国防部授予了反战间谍英雄的称号,因为他跟其他的谍报人员——乔安妮(朱莉娅•罗伯茨 Julia Roberts 饰)与盖斯特(菲利普•塞默•霍夫曼 Philip Seymour Hoffman 饰)一起为前苏联的解体、柏林墙的倒塌都做出了重要贡献。查理具有光鲜身份,他身兼国防部、政府、CIA等多方角色,终日周旋于商界政要之间,美色金钱纷至沓来,谁都希望借助他的能量满足一己私利。他关注阿富汗战争的局势,并且跟巴基斯坦的军方也通了气。其实,他所做的都是为了美国的利益,在红颜知己乔安妮与性格伙伴盖斯特的帮助下,他们导演了这场充满了传奇色彩的间谍战争……
回复 :成功白领林真心(陈乔恩 饰)因被上司压迫、下属吐槽,陷入了少女时代的深深回忆。原来曾是平凡少女(宋芸桦 饰)的真心有着一段爆笑却有充满甜蜜的初恋回忆。少女真心曾经暗恋校草欧阳非凡(李玉玺 饰),却总是不敌校花陶敏敏(简延芮 饰)的魅力,令她苦恼不已,一次意外却让她与校霸徐太宇(王大陆 饰)组成了“失恋阵线联盟”,他们势要夺爱,上演了一幕幕生猛、搞笑的青春趣事,而在相处中两人的情感也发生了微妙的变化……若干年后,来到成人世界的林真心又能否重拾初心呢?
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.