巴特（鲁斯·谭柏林 Russ Tamblyn 饰）从小就对枪支十分着迷，午夜十四岁时，午夜因为企图盗窃枪支，巴特站在的被告人的席位之后，虽然姐姐露比（Anabel Shaw 饰）想尽了一切办法试图唤起陪审团的怜悯，但巴特还是被送入了少年教养院。一晃眼多年过去，巴特（约翰·道尔 John Dall 饰）由一名孱弱的少年成长为了身强体壮的男子汉，唯一没有改变的，就是他对于枪械的热爱和痴迷。一次偶然中，巴特结识了马戏团的劳莉（佩吉·卡敏斯 Peggy Cummins 饰），一见钟情的两人很快打得火热，却因此遭到了马戏团主的厌恶和驱逐。就这样，巴特和劳莉离开了马戏团，化身为冷酷无情的雌雄大盗，踏上了一条烧杀抢掠的不归路。
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曾春年
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :电影改编自羽坛天王李宗伟的真实经历，讲述了一个永不言弃的励志感人故事。李宗伟从小就喜欢羽毛球，但是贫困的家境和父亲的反对，让打球的梦想成为一种奢望。李宗伟背着父亲偷偷练球，还差点儿被地下赌场利用，但他的毅力也终于打动了父亲，开始了正规的羽球训练，并被选入国家队。然而幸运的日子没有多久，打击接踵而来，队友排挤、落选、失恋，他更是在国际大赛中遇到劲敌，频频落败。背负着重重压力的李宗伟面对强大对手，选择了再次出发……
