山炮进豪门
地区:中国
  类型:卡通
  时间:2025-07-15 07:47:13
剧情简介

苏利曼和“苏丹电影俱乐部”的另外三名成员决定重振一家旧电影院。他们不仅因为对电影的热爱和对恢复旧电影存量、山炮再次关注苏丹电影历史的强烈渴望而团结在一起,山炮而且因为他们都曾在流放中接受过电影教育。不知疲倦地,他们试图让影院老板站在他们一边,让这个地方重新运作起来,但他们一再发现自己遭到了相当大的阻力。同时,他们坐在一起谈论过去——包括他们作为对立艺术家遭受迫害甚至折磨的经历。他们还朗读流亡和梦想苏丹时写的旧信,在那里艺术和智力思想可以自由。“我们比他们聪明,但不如他们强大,”他们一致总结了他们的处境。正是在这些简洁的时刻,观众才能够感知到友谊,以及在为共同理想而斗争中存在的纽带和意识形态的团结。苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心,同时也揭示了一个受到持续危机影响的国家的现状Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.

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明星主演
张焱
严丹丹
高慧君
最新评论(614+)

王家珧

发表于7分钟前

回复 :导演詹姆斯·卡梅隆特别选在俾斯麦号战舰沉没六十一周年当天,邀请当时舰上的生还者、击沉他们的敌舰人员、以及一群专业的探险小组,一同潜入险恶的深海中,再度登上俾斯麦号战舰,以见证这段永恒不朽的历史传奇,同时也藉此机会探索当时战舰沉没的真相。


布莱恩亚当斯

发表于8分钟前

回复 :新藤兼人导演,以能剧目《铁轮》为原型,描写怨与爱欲的冲击作。平安时代的故事和现代的电视剧交错着特色的故事展开。丑恶时刻,嫉妒燃烧的中年女人对稻草人偶击出诅咒的五寸钉子。那个时候,中年女人的丈夫和那个情人交织着性爱…。古代-十一世纪。贵船神社的丑满时,嫉妒燃烧的中年女人在稻草人偶中放入诅咒的五寸钉子。丑闻载道。她是一丝不苟中互相拥抱的男女,中年女人的丈夫和情人的年轻女子。突然,女人扭动着身体,大声叫嚷。里面的五寸钉子被诅咒。现代-床上苦闷的裸露的男女。古代的男人和年轻的女人。电话铃响了。拿起听筒,但听不见对方的声音。电话铃和男人的动作被反复。某个公寓的一个房间。相对而坐的中年男女。该男子向已结伴十五年的妻子宣布离婚。但是,妻子却面无表情地重复说“不会分手”。古代--丑刻语的满愿之日。黑暗中有神的启示。“身穿红色的衣服,脸上涂上朱红色,头上戴上铁环,心怀愤怒,当然要成为鬼神了”。成为嫉妒鬼女的女人疯狂地乱舞。无法忍受诅咒的男人去占卜阴阳师阿部晴明。据说女人的仇恨很深,生命只限今晚。现代-男女看着手相。据说“怪异的妖气上升,嫉妒之神的怨恨”,那个时候中年女人突然路过。男人和年轻的女人,为了从电话逃跑,在高原的宾馆里(上)在。在床上两人开始了浓厚的爱情戏。突然,电话铃声像活物一样不停地响着。“你怎么知道这里,被这个电话杀了!”年轻女人偎着男人。古代——生灵,头上戴着铁环,逼近伏着的男女枕头。现代-生灵逼近两人的床。我诅咒着枕边走过去。女人说:“夫人肯定来了。”隔壁好像一个人住着。想抓住原形但失败了。忽然有一位中年妇女走过走廊。二人追出去了,不过,中年女人消失在雾中。古代--由于晴明的拼命祈祷,生灵的力量渐渐减弱了。另一方面,男人也被生灵逼得喘不过气来,但是生灵渐渐衰弱了。“遗憾啊,惋惜啊”这样叫着,生灵消失了。现代-男人和年轻女人站在湖畔。突然,一个年轻的女人被撞倒,掉进了湖里。男人帮你。离开岸边的中年女人。落汤鸡的两个人回到了宾馆。正在响的电话。男人拿起听筒大喊“你在哪里,杀人犯!”还是没有回答。古代,狂风呼啸的荒野,头上戴着铁环,脸上涂着朱红,嘴巴裂开,垂钓上来的眼睛的鬼女燃烧着嫉妒的火焰,持续诅咒着。


苏麦

发表于6分钟前

回复 :本片为独立纪录片导演蒋能杰留守儿童三部曲的第二部,另外两部分别为《路》和《加一》,蒋能杰致力于用影像关注社会,用镜头呼吁更多人关注留守儿童,重视乡村教育。 本片荣获第三届 凤凰视频纪录片大奖 最佳纪录长片奖、法兰克福影展 一等奖。2009年:首次走进村小,镜头记录临时学校的22个学生(其中17个为留守儿童),同时关注村小艰难申请重建。2010年:重建后的村小调来张老师教两个班,代课十几年的张老师老为转正问题烦心和奔波,跟拍的留守儿童的学习、心理、生活也面临着种种问题。2011年:代课的 张老师因种种不满,已离开村小,跟拍的孩子们面临的问题愈加严重。2012年:由于媒体的力量,村小的物质条件有所改变,但好像无力改善更多。2013年:留守儿童生活看是没什么变化,其实在悄悄变化着。2014年:又是一年春节,而跟拍的留守儿童家庭 …… 。2009: First glance at the village school, in which the lives of 22 students including 17 left-behind children, together with the unsmooth application of the school’s reconstruction, were focused on.2010: Teacher Zhang, a supply teacher with more than 10 years teaching experience, was assigned to the reconstructed school. While in charge of two classes, he was concerned about, and striving for the obtainment of permanent teaching status. Meanwhile, folks began to doubt on the quality of the school buildings, as the left-behind children were facing numerous problems in life, study and emotion.2011: Mr. Zhang left the school out of dissatisfaction. After he left, the problems those left-behind children were confronting with became more serious.2012: Thanks to the media, the material condition of the village school began to turn around. However, it still had a long way to go.2013: The situation of those left-behind children seems unchanged, but it turned out to get changed day by day.2014:As another Spring Festival comes, what is going on in those left-behind families?


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